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凱薩琳.費莉亞的傳承者~海倫·沃茨 / 藝術歌曲集 (世界首度CD發行)

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Helen Watts – Lieder Recital (2CD)
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古典 – 聲樂曲
Helen Watts – Lieder Recital (2CD)

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凱薩琳.費莉亞的傳承者~海倫·沃茨 / 藝術歌曲集 (世界首度CD發行)
Helen Watts – Lieder Recital (2CD)

Helen Watts – Lieder Recital (2CD)
Helen Watts被譽為是史上最偉大女高音Kathleen Ferrier的傳承者,兩人同樣來自威爾斯,而演唱技巧也十分接近.這份2CD錄音完整收錄Helen Watts兩份於DECCA所錄下的藝術歌曲集.世界首度CD發行!
 
Presented on CD for the first time and newly remastered, a pair of Romantic Lieder recitals by the Welsh contralto who inherited the mantle of Kathleen Ferrier.
 
The history of British contraltos on record, stretches back to Constance Shacklock and before her Dame Clara Butt but it was Ferrier who defined the sound of that voice type for millions of listeners around the world. Produced as if from a great distance, noble and yet communicating the most profound and immediate of emotions, the possessors of a true contralto voice inspired Handel, Elgar and others to compose some of their most heartfelt arias.
 
It was with the music of Handel that the Welsh contralto, Helen Watts, made her debut on record: in performances of ‘Semele’ and ‘Sosarme’ recorded by L’Oiseau-Lyre, released in 1955 and reissued by Eloquence. Along with Alfred Deller and William Herbert, Watts counts among those British singers discovered by the founder of L’Oiseau-Lyre, Louise Hanson Dyer, in her search the young and talented musicians who could breathe new life into old and mostly unfamiliar music. Her career burgeoned, on disc and especially on the concert platform where she became the alto soloist of choice for countless performances of ‘Messiah’ and ‘The Dream of Gerontius’.
 
However, Watts was also an accomplished recitalist and her gifts in this area have often been overlooked. This release compiles the first two song recitals she recorded, in 1963 and 1964. In the world of Schumann’s ‘Frauenliebe und -Leben’ she enters intimately into each song’s shades of feeling and she brings a special passion to the three Mignon songs of Hugo Wolf. The earlier recital, couples more Schumann – notably the late and haunted ‘Five Songs of Mary Stuart’ – with favourite Lieder of Brahms such as ‘Ständchen’ and the Op. 91 pair with obbligato viola (Cecil Aronowitz). The anthology is completed with more Brahms, the Alto Rhapsody she recorded in Geneva with Ernest Ansermet in 1965: solemn, yet warm and deeply human, a perfect testament to her art and to the praise of her modern counterpart, Nathalie Stutzmann: ‘an extraordinary contralto’.
 
曲目:
CD 1*
HUGO WOLF
Mignon I–IV (Goethe-Lieder)
Auch kleine Dinge
Mausfallen-Sprüchlein
Epiphanias
 
ROBERT SCHUMANN
Frauenliebe und -leben, Op. 42
Fünf Gedichte von Mary Stuart, Op. 135
Er ist’s, Op. 79 No. 23
Marienwürmchen, Op. 79 No. 13
Frühlingsnacht, Op. 39 No. 12
Der Sandmann, Op. 79 No. 12
Widmung, Op. 25, No. 1
 
CD 2
FRANZ SCHUBERT
Ständchen, D.892
Elizabethan Singers
Viola Tunnard, piano
Louis Halsey
 
JOHANNES BRAHMS
Mädchenlied, Op. 107 No. 5*
Des Liebsten Schwur, Op. 69 No. 4*
Der Schmied, Op. 19 No. 4*
Ständchen, Op. 14 No. 7*
Zwei Gesänge mit Viola, Op. 91 (with Cecil Aronowitz, viola)
Geoffrey Parsons, piano
 
Alto Rhapdsody, Op. 53
Les Chœur de la Radio Suisse Romande et Pro Arte de Lausanne L’Orchestre de la Suisse Romande
Ernest Ansermet
 
Helen Watts, contralto
 
*FIRST INTERNATIONAL CD RELEASE ON DECCA
 

凯瑟琳. 费莉亚的传承者~海伦·沃茨 / 艺术歌曲集 (世界首度CD发行)

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