Description
大提琴無伴奏的發展史~從1553年Diego Ortiz的大提琴無伴奏到十七世紀Benjamin Hely的大提琴無伴奏
Oritz, Hume, Hely, Bertalotti: Ricercare E Canzoni
這張特別的企劃收錄1553年到17世紀這段大提琴無伴奏發展過程中的四位作曲家的名曲.樂迷透過本專輯可以一窺大提琴無伴奏從1553年首度出現後,演變到巴哈創作大提琴無伴奏前的發展過程.
The absolute protagonist of this recording is the solo viola da gamba which guides us on a musical journey from 1553 (Tratado de glosas by Diego Ortiz) to 1698/99 (Ricercare per diversi toni by Angelo Michele Bertalotti and The Complete Violist by Benjamin Hely). In so doing, it puts us in touch with a repertoire that may not be universally known, but still deserves to be discovered. Above all, it must be disclosed because it gives tangible testimonies that partially rectify some deep-rooted convictions about the viola da gamba. In fact, contrary to what is often believed, after blossoming in the Renaissance, this instrument did not leave the stage ex abrupto in the mid-17th century, crushed beneath the increasing weight of the cello. Instead, it continued to enjoy its own literature, certainly less striking but not less relevant. We are referring not only to the better-documented compositions for consort, but also to the solo repertoire which frequently had didactic and artistic value – often characterized by chamber allure due to its reserved nature.
曲目:
Bartolotti: Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato
Benjamin Hely: The Compleat Violist
Tobias Hume: The First Part of Ayres
Diego Ortiz: Tratado del glosas, libro secondo
Matteo Cicchitti
Musica Elegentia
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